Wednesday, 12 April 2017

Sherlock Holmes in context - new publication!

I am very pleased to have published my chapter on revisioning Sherlock Holmes through the character of Mrs Hudson, in a new book just published in the Palgrave Crime Files series. The book is edited by Sam Naidu and is called Sherlock Holmes in Context.  I have just received my contributor's copy of the book.  Here is a picture of the cover image, featuring the iconic fashion accessories we have come to associate with the Sherlock Holmes character:



Palgrave's summary of the book describes it as follows:   

"This book of interdisciplinary essays serves to situate the original Sherlock Holmes, and his various adaptations, in a contemporary cultural context. This collection is prompted by three main and related questions: firstly, why is Sherlock Holmes such an enduring and ubiquitous cultural icon; secondly, why is it that Sherlock Holmes, nearly 130 years after his birth, is enjoying such a spectacular renaissance; and, thirdly, what sort of communities, imagined or otherwise, have arisen around this figure since the most recent resurrections of Sherlock Holmes by popular media?  Covering various media and genres (TV, film, literature, theatre) and scholarly approaches, this comprehensive collection offers cogent answers to these questions."

My chapter is entitled "I, Too, Mourn the Loss": Mrs. Hudson and the Absence of Sherlock Holmes.  This is a synopsis I wrote of the chapter, which can be found on the Springer website:

"This chapter examines the representation of Mrs. Hudson in selected episodes of Sherlock and the 2011 short story “The Adventure of the Concert Pianist” by Margaret Maron, focusing particularly on the questions raised by the representation of ageing female characters, agency, and detection in popular culture. Drawing on a range of critical approaches, the analysis focuses on the similarities and contrasts offered by the two texts, and reflects on the implications for the depiction of Mrs. Hudson in contemporary reimaginings of Sherlock Holmes. The chapter concludes that, despite energetic attempts to revitalize Mrs. Hudson’s character, especially by Maron, the issue of Mrs. Hudson’s representation, and the trivialization of ageing femininity in popular culture, remains pertinent."





The entire book - Sherlock Holmes in Context - is really interesting, and a must-read for anyone interested in the many manifestations of Sherlock Holmes and our continued fascination with this figure.

In writing this chapter, I enjoyed having the opportunity to write about Margaret Maron's brilliant short story “The Adventure of the Concert Pianist”, and to have been able to explore at some length the gender-political dimensions of the character of Mrs Hudson and her representation.  I was particularly interested in exploring ideas of femininity, ageing, and detection in both Maron and the BBC series Sherlock.  

In fact, Series Four of Sherlock almost seemed to incorporate a response to my critique in the chapter!  It certainly attempted to reimagine Mrs Hudson as a much more "badass" character.  Although my criticism still stands:  the producers may have attempted to "sex up" Mrs Hudson, but that reimagining did specifically not include taking a lead in detection. The domain of detection remained resolutely male.  Margaret Maron's short story seeks to challenge the ways in which the definition of detection embodied by Sherlock Holmes serves to marginalise female characters and issues of ageing.


Little Hattie tries to read the chapter #catsofacademia

I also taught Maron's story for the first time this year on my Crime Fiction module, which went really well and made for some interesting discussions in the seminar about the perspectives and angles used by various writers in reworking Sherlock Holmes' character or Conan Doyle's stories. 


My research into the figure of Mrs Hudson in Maron's story and Sherlock first saw the light of day three years ago.  Yesterday was three years ago to the date that I gave the paper that my chapter eventually was based on.  I gave that paper at the highly successful New Directions in Sherlock conference at UCL, organised by the two brilliant Sherlock specialists, Dr Tom Ue and Dr Emily Garside.  The conference was immensely interesting, as you can see from the programme here and here, and was attended by 300 delegates.  The conference even caught the eye of the newspaper The Times. The paper featured an article about the conference the day after it was held, with the title of "
‘Loungers and idlers’ meet for 100 lessons on Sherlock Holmes".

Three years later, my paper has finally appeared in print which is very satisfying.  I have previously published on contemporary literary reworkings of Sherlock Holmes, in an article for a special issue on Conan Doyle by the journal Oscholars. I am hoping to do more work in the future on Sherlock Holmes reimaginings.









Monday, 27 March 2017

American, British and Canadian Studies special issue on contemporary crime fiction - now in press!

I am excited but also very relieved that the special issue on contemporary crime fiction I am editing for the journal American, British and Canadian Studies is now in press!  It has been a privilege and a pleasure to work with Ana-Karina Schneider, the Chief Editor at the journal, and the previous Chief Editor, Adriana Neagu,  and also of course with all of the contributors to the special issue.  Having the opportunity to edit this special issue has been really interesting and a positive experience.  Reflecting on the process from start to finish, I have learned many valuable things about writing and editing.  The process has run smoothly, thanks to the expert help and advice I have received from Ana-Karina and Adriana throughout.

Looking back on the process, having shaped the special issue from its inception and written the Call For Papers pinpointing its specifications and the criteria, I was curious to see the response I would get.  The time span, from the announcement of the Call For Papers and the deadline for submission of articles was about 9 months, I think.  Given that I was requesting full articles, rather than abstracts followed by selection, I think this time frame was probably about right. 

So, after the release of the Call For papers, I sat and waited...





As it happened, I had to extend the waiting/writing period with two months, in order to accommodate other factors, chiefly my illness, hospitalisation and sick leave earlier in the year, which I blogged about here.  That experience put a spanner in many works.  However, I was determined that it wasn't going to disrupt or hinder this special issue, and so, fortunately, things worked out well in the end... 

An excellent bunch of submissions arrived, and the next phase of reviewing and editing began.  Then followed the process of assembling the issue, writing the Editorial, writing the Contents page, and the Permissions page.  Fortunately during the last weeks of this process I had this little lady to help me:


 #CatsofAcademia  #Hattie

Editing a special journal issue is excellent experience for academics, and I would warmly recommend it.  You get to work with a bunch of really interesting contributors and their material, while having the opportunity to put shape to a publication. As well as giving other scholars and authors the chance to get their work published, the publication will also be of use to other scholars and students working in the field and doing research on crime fiction.  Of course, as the editor, I also had the opportunity to get a bit obsessive with my red mark-up pen (on my own work, not least...):


As always, however, I am better at spotting other people's errors and typos than my own...

Editing a special issue of a journal or a book can be a stop-start process which involves periods of waiting and reflection, busy periods of writing, and intense periods of reviewing and editing volumes of material within a reasonably short period of time.  I am currently editing 3 books, the details of which you can find here.  So I am having plenty of experience within this important area of academic apprenticeship. 

So, for the American, British and Canadian Studies special issue on contemporary crime fiction,  the final waiting period now begins - the "in-press" time between submission of the MS and the print publication of the journal issue.  I am excited to see the final product, but as always this wait is tinged with a sense of anxiety - a feeling I think is familiar to many academics as they await the appearance of their publications in print.
The special issue comes out in June 2017.